French hi-res lossless music streaming with 100M+ tracks and editorial journalism
Qobuz is a French music streaming and download service founded in 2007 by Alexandre Leforestier and Yves Riesel, owned and operated by Xandrie SA. It streams over 100 million tracks in lossless FLAC at up to 24-bit/192kHz — the highest resolution available on a mainstream streaming platform — and distinguishes itself from competitors through an in-house editorial team publishing music journalism, interviews, and recommendations. Available in 26 countries across Europe, North America, and Oceania.
Headquarters
Pantin, France
Founded
2007
Pricing
EU Data Hosting
Yes
Employees
51-200
€12.49/mo
€14.99/mo
€20.83/mo
€16.66/mo
€29.16/mo
Billing: monthly, annual
Qobuz is a French music streaming and download service that has existed, in various financial states, since 2007. It was founded in Paris by Alexandre Leforestier and Yves Riesel as a response to the MP3 era's quality ceiling, with a founding conviction that listeners deserved access to music at the full resolution of the original studio recording. That conviction is now the product's core differentiator: Qobuz streams lossless FLAC audio at up to 24-bit/192kHz, the highest resolution available on a mainstream consumer streaming platform.
The company's history is not a straight line. Qobuz went through a significant financial restructuring in 2015 and emerged under the ownership of Xandrie SA, the French holding company that continues to operate the service. The restructuring preserved the editorial team, the catalogue, and the platform's technical architecture. The service launched in the United States in 2019 and now operates in 26 countries across Europe, North America, and Oceania.
Qobuz occupies a specific and defined position: it is not trying to compete with Spotify on catalogue breadth, algorithmic discovery, or podcast integration. It is competing on audio quality and editorial depth, for listeners who own equipment capable of reproducing what the higher resolution delivers.
The centrepiece of the Qobuz offer is lossless FLAC streaming at up to 24-bit/192kHz. This is the format that recording studios use for masters, and it contains more data per second than CD-quality audio (16-bit/44.1kHz). Whether listeners can hear the difference depends on their equipment and hearing: the gap is most audible through high-quality DACs, headphone amplifiers, and loudspeakers rather than phone speakers or consumer earbuds.
In October 2024, Qobuz added DSD (Direct Stream Digital) and DXD (Digital eXtreme Definition) format support at up to 24-bit/352.8kHz, making it the only mainstream streaming service to support the formats used in the professional mastering chain. These formats are available for a subset of the catalogue where high-resolution masters exist.
For context: Spotify's standard plan streams lossy AAC at up to 320kbps, which discards audio information to reduce file size. Apple Music streams lossless ALAC and Dolby Atmos at up to 24-bit/192kHz at no extra cost. Tidal also streams lossless FLAC at up to 24-bit/192kHz as part of its standard subscription. Qobuz and Tidal are peer competitors on audio resolution; Apple Music is competitive on quality but requires Apple hardware for spatial audio features; Spotify remains below both on lossless quality as of 2026.
Qobuz is one of the few remaining digital music stores selling individual hi-res FLAC downloads alongside its streaming service. The download store allows track and album purchases in FLAC at the highest available resolution (often 24-bit/96kHz or 192kHz where the master exists), giving listeners permanent file ownership rather than streaming access.
The Sublime subscription tier, available at €16.66/month on annual billing, adds up to 60% discounts on download store purchases. For listeners who buy one or more albums per month, the discount offsets the premium over the Studio streaming tier. Collectors who want both streaming access and a local library of owned files — common in the audiophile community — will find Sublime more cost-effective than paying full price for downloads alongside a Studio subscription.
Qobuz maintains an in-house editorial team that publishes original music journalism: reviews, artist interviews, historical retrospectives, and curated listening guides. This distinguishes Qobuz from algorithmically driven services where "editorial" means a Spotify playlist curated by staff who may change quarterly.
The editorial content is strongest in jazz, classical, and world music, reflecting the tastes of the audiophile audience Qobuz has always served. Coverage of hip-hop, K-pop, and recent pop is thinner, both in editorial depth and in catalogue. The in-house writing is a genuine differentiator for listeners who want informed curation rather than algorithmic recommendations, and it has survived the company's financial restructuring intact.
Qobuz integrates with the hardware ecosystem that audiophile listeners use. Roon, the music library and playback application used with high-end DACs and music servers, supports Qobuz as a streaming source alongside local libraries. Bluesound (the Canadian streaming hardware brand) and Naim (British hi-fi manufacturer) have native Qobuz integration. Sonos supports Qobuz in its app. AirPlay 2 and Chromecast allow streaming to compatible hardware without a dedicated Qobuz integration.
The result is that Qobuz can serve as the streaming source for a serious hi-fi system without any lossy conversion or app-layer limitations on audio quality. Spotify Connect, by contrast, caps the audio delivered to hardware at its streaming resolution, which is below lossless.
Qobuz pricing is split between the Studio streaming tier and the Sublime streaming-plus-downloads tier.
Studio Solo on annual billing costs €12.49/month (billed as a single annual payment). Studio Solo on monthly billing costs €14.99/month. A Studio Duo account for two listeners costs €17.50/month annually or €19.99/month monthly. A Studio Family account for up to 6 listeners costs €20.83/month annually or €24.99/month monthly. A Student plan is available at €5.99/month (monthly billing only, with verification).
Sublime is available on annual billing only. Sublime Solo costs €16.66/month (€199.92/year). Sublime Duo costs €24.99/month (€299.88/year). Sublime Family costs €29.16/month (€349.92/year). The Sublime plan adds up to 60% discounts on download store purchases — it does not otherwise change the streaming experience.
There is no permanent free tier and no ad-supported version. Promotional first-month-free offers are available periodically. Compared to Spotify Premium at around €11.99/month and Apple Music at €11.99/month, Qobuz Studio Solo at €14.99/month carries a small premium for hi-res quality.
Qobuz is operated by Xandrie SA, a French company headquartered in Pantin, a commune adjacent to Paris. It is subject to GDPR and French data protection law enforced by the CNIL. As a subscription-only service with no advertising and no free tier, Qobuz does not operate an advertising data monetisation model. Subscriber data is processed within the EU.
Qobuz does not publish a SOC 2 certification or equivalent third-party security audit, which is relevant for teams with enterprise vendor assessment requirements. The service is a consumer product rather than a B2B platform, and its compliance documentation is correspondingly oriented toward consumer data protection rather than enterprise procurement.
If you own high-quality headphones, a DAC, or a dedicated hi-fi system and want to hear recordings as the studio intended, Qobuz is the most direct path to lossless hi-res streaming in an EU-jurisdiction service. Tidal is the peer competitor at similar quality and pricing; the choice between them is often determined by catalogue preference and interface preference rather than audio quality differences.
If you are an audiophile collector who both streams and buys hi-res downloads, the Sublime plan's download discounts make it more cost-effective than separate streaming and purchasing subscriptions.
If your priority is the largest possible catalogue, the best algorithmic discovery, or integration with podcasts and social features, Spotify or Apple Music will serve better. Qobuz's catalogue gaps in recent pop, hip-hop, and K-pop are real.
If you are outside the 26 countries where Qobuz operates, the service is not available without workarounds.
Qobuz has a clear and honest identity: it is the French lossless streaming service for listeners who prioritise audio quality and editorial depth over algorithmic discovery and catalogue breadth. Founded in 2007 and rebuilt under Xandrie SA after its 2015 restructuring, it has maintained that identity consistently through market conditions that pushed several competitors toward consolidation. The audio quality argument has become more crowded since Apple Music introduced lossless at no extra cost and Spotify moved toward lossless in late 2025, but Qobuz retains advantages in hi-res ceiling (the DSD and DXD formats competitors do not offer), the download store with Sublime discounts, and editorial journalism that algorithmic services cannot replicate. For European audiophile listeners, Qobuz is the native choice.
Yes. Qobuz is operated by Xandrie SA, a French company headquartered in Pantin, France, and is subject to GDPR and French data protection law enforced by the CNIL. As a subscription-only service with no advertising, Qobuz does not monetise listener data through advertising networks. Subscriber data is processed within the EU. Qobuz does not publish a SOC 2 certification, which matters for organisations conducting formal enterprise vendor assessments. For individual and household subscribers, the GDPR-compliant French jurisdiction and ad-free model are the relevant compliance factors.
No. Qobuz is a consumer music streaming service, not a platform or software product. There is no self-hosted, on-premise, or API-based deployment. For organisations requiring licensed background music in commercial premises, specialist business music licensing services (such as music-on-hold providers or background music services for retail) apply rather than Qobuz. Qobuz is designed for individual and household listeners using the mobile and desktop apps, the web player, or compatible hi-fi hardware integrations.
Qobuz streams lossless FLAC at up to 24-bit/192kHz, with DSD and DXD support added in October 2024 for specialist recordings. Spotify's standard plan is lossy AAC at up to 320kbps; Spotify introduced lossless audio in late 2025 but at CD quality rather than hi-res. Apple Music streams lossless ALAC and Dolby Atmos at up to 24-bit/192kHz at the standard subscription price, making it a quality peer to Qobuz at a similar price point. Tidal also streams lossless FLAC at up to 24-bit/192kHz at its standard price. Qobuz and Tidal are the closest competitors on audio resolution; Apple Music is competitive but its spatial audio advantages depend on Apple hardware; Spotify remains below all three on lossless quality as of 2026.
Studio is the streaming-only plan: €12.49/month on annual billing or €14.99/month monthly for a Solo account. Sublime adds up to 60% discounts on individual hi-res FLAC purchases from the Qobuz download store, at €16.66/month on annual billing (no monthly Sublime option exists). The premium for Sublime over annual Studio Solo is €4.17/month. If you buy one album per month from the store (typically €12-20 for a hi-res download), the discount more than offsets that premium. Collectors who own their music as files alongside streaming will find Sublime cost-effective. Casual streamers who rarely or never buy downloads should stay on Studio and save the premium.
Qobuz is available in 26 countries: across Europe (France, Germany, the UK, Italy, Spain, the Netherlands, Belgium, Austria, Switzerland, Sweden, Norway, Denmark, Finland, Ireland, and Luxembourg among others), in North America (the USA and Canada), and in Oceania (Australia and New Zealand). The primary audience is audiophile listeners who own high-end audio hardware: DACs, dedicated hi-fi systems, Roon servers, and streaming hardware from Naim and Bluesound. It is also used by musicians, producers, and music journalists who value lossless quality and editorial depth. The service is not intended for the mainstream pop streaming audience, and Qobuz does not position itself that way.
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